Tintoretto was born Jacopo Robusti in Venice, Italy, circa 1518. His vocation as an expert artist ran from the 1530s until his death in 1594. He became known as among the 16th century’s masters of Venetian painting. His fashion was sensational and advanced, and his oeuvre contains many spiritual pictures commissioned by churches and civic buildings, along with mythological pictures and portraits of Venice’s elite.
Little is known of Tintoretto’s early life. His father, Giovanni Battista Robusti, was a fabric-dyer, thus his nickname Tintoretto, which means “little dyer.” According to some later reports, Tintoretto apprenticed with master painter Titian. It might be more likely that he trained in the workshop of a lesser-known artist, yet.
In spite of having less info about Tintoretto’s youth and schooling, it’s clear that he was conscious of the work of Venice’s leading painters, at the same time as other Italian masters, by the time he was a young man. Throughout much of his career, Tintoretto sought to unite Michelangelo’s drawing fashion with Titian’s use of colour while developing his own fashion.
Tintoretto was employed as an independent professional artist by 1539. He stayed in Venice throughout his career, becoming among the city’s most well-known painters of the 16th century. One painting which helped make Tintoretto renowned was “Saint Mark Rescuing the Slave” (also called “The Miracle of the Slave”), which the artist painted in 1548, in the age of 30.
Tintoretto used loose brushwork and rich, glowing colours (particularly reds, golds and greens) in his paintings, which were distinctive for his or her theatricality. His amounts are often revealed in movement, and his compositions use opposing forces inside a deep graphic space. To be able to plan his elaborate pictures of several figures, Tintoretto prepared by making little model stages, which he’d set up with little wax or clay figures so that you can plot his arrangements and discover the consequences of light and shadow.
Tintoretto is usually related to Mannerism, an artistic style in the late Renaissance which makes good use of powerfully sensational subjects and depicts human figures in exaggerated proportions and poses. Contrastly, nevertheless, Tintoretto’s individualistic fashion also sets him apart from that movement.
Tintoretto was particularly productive throughout the last two decades of his life. He also ran a sequence of mythological paintings for the redecoration of the Doge’s Palace. Tintoretto died in Venice on May 31, 1594. He along with his wife, Faustina Episcopi, had eight kids; three of them had trained using their dad and carried on his creative heritage.