Rudolph Valentino, produced on May 6, 1895, was an Italian-American film actor. His star status was apparent after his sudden death in 1926 at only 31 years old, the performer suffered a ruptured ulcer, causing fans to grieve world-wide. He attended military school, however he was rejected in the service. In 1912, Valentino went to Paris, however he neglected to find work there. He ended up begging on the roads until he made his way to New York City the next year.
In Nyc, Valentino worked several menial jobs before being a cabaret dancer. He partnered with Bonnie Glass to get a period, replacing Clifton Webb (who afterwards became an actor). Valentino joined a national touring production, but it closed down in Utah. The youthful performer subsequently made his way to San Francisco where he restarted his dancing career. In 1917, Valentino establish his sights on Hollywood.
Initially, Valentino just got bit parts, frequently playing the bad guy. In 1919, Valentino wed actress Jean Acker, but their marriage was never consummated. According to a number of reports, Acker locked Valentino out of the hotel room on their wedding night. In accordance with specialists, prior to the union, Acker had experienced an intimate relationship using a girl.
Valentino caught the interest of screenwriter June Mathis, who considered he was an ideal choice for the lead in The Four Horsemen of the Apocalypse (1921). She needed to work difficult to convince the executives at Metro to sign Valentino, however they eventually consented. He stole the hearts of female moviegoers by dancing a tango in his first scene in the picture. The film was a box office success, as well as the darkly handsome performer immediately became a star.
This desert love story told the story of a Bedouin leader who wins over a cultured, Anglo girl (Agnes Ayres). Valentino’s standing as a lothario was likely accentuated along with his arrest for bigamy in 1922. Divorced from Acker in 1921, he neglected to wait the full year before remarrying. Valentino printed a number of poetry entitled Day Dreams around this time, a work which represented the couple’s interest in Spiritualism.
Rambova took a dominant role in handling her husband’s profession, much to Valentino’s detriment. Some male critics and moviegoers were already put off by his somewhat androgynous fashion, and Valentino’s next few pictures accentuated this quality. His own wife decided parts for him that made him look more effeminate, as seen in 1924’s Monsieur Beaucaire. While still a box office success, Valentino endured a backlash with this change in his screen character. Shortly divided from his own wife, Valentino returned to the type of cuisine that made him famous. The Eagle (1925) featured him as a Russian soldier trying to avenge the wrongs perpetrated against his family by the Czarina. The next year, Valentino made a sequel of sorts to his earlier success, The Son of the Sheik. This quiet classic proved to be his last work.
While he was still a favorite draw in the box office, Valentino fought the people and media perceptions of him. He challenged one paper writer into a fight after he was criticized within an editorial called “Pink Powder Puffs.” Valentino additionally endured from generally held prejudices about immigrants, having been refused jobs for being “too foreign.”
In the times following the operation, Valentino developed an illness called peritonitis. The 31-year old performer’s health immediately started to fall, and his loyal fans swamped the hospital’s phone lines with calls for the sickly star. Valentino expired almost weekly after going into the hospital, on August 23, 1926. His last words were, “Do Not stress, leader, I ‘ll be all right.”
Some individuals asserted he was poisoned or shot with a jealous husband. Valentino was given a grand sendoff. For three days, thousands crowded a funeral home to see his body and say goodbye to the intimate idol. Subsequently two funerals were held one in Nyc and one in California. Maybe not an excellent performer, Valentino had a charming and elusive quality that made him a legend. He possessed a remarkable charm that glowed through his appearances on the big screen. And his early departure has just fueled his standing as a revered pop icon.