He moved to Nyc in 1978 and started utilizing the town as his sail, making chalk drawings in subway stations. His artwork was finally found everywhere from public murals and clubs to galleries and museums all over the world. He was likewise known for his activism in promoting AIDS awareness. He died of AIDS-associated complications on February 16, 1990, at age 31. He spent many hours drawing along with his dad, an engineer whose avocation was cartooning. In 1978, he chose to go back to school, moving to Nyc to register in the School of Visual Arts.
When Haring arrived in The Big Apple, it was home to a flourishing underground art scene. Haring befriended fellow appearing artists like Jean-Michel Basquiat and Kenny Scharf, who shared his fascination with the vibrant and transgressive graffiti artwork of the town ‘s roads. Haring and these other artists formed exhibits at downtown clubs as well as other alternate places, where artwork, music and trend all came together in a dynamic combination.
Past the nightclubs, Haring started utilizing the town as his sail. Riding the metro, he found the black paper rectangles of empty marketing panels on station walls; using white chalk, he started filling these black panels with straightforward, fast drawn images. His trademark pictures contained dancing figures, a “glowing baby” (a crawling infant emitting rays of light), a barking dog, a flying saucer, big hearts, and amounts with televisions for heads. These graffiti drawings brought the interest of New York commuters, in addition to town authorities: Haring was detained for vandalism on numerous occasions.
Haring shortly started to use his universally identifiable vision to freestanding drawings and paintings. The energy and confidence of his artwork, using its bold lines and vibrant colours, brought him popularity using a broad audience. In 1982 he started to reveal his artwork in the Tony Shafrazi Gallery, which will represent him for the remainder of his profession. Throughout the 1980s, Haring’s work was exhibited extensively both within America and worldwide.
Constantly attempting to produce his art more accessible, Haring started a retail store called the Pop Shop in Nyc ‘s SoHo area in 1986; the shop sold posters, T shirts as well as other affordable things featuring Haring’s trademark layouts. Within the short period of his career, the artist finished more than 50 public works, for instance, anti-substance mural Crack is Wack in a Harlem playground and an illuminated, animated billboard of his “glowing baby” picture for New York’s Times Square. He also hosted numerous art workshops for kids. The next year, he created the Keith Haring Foundation to support children’s programs and organizations focused on raising AIDS awareness.
Keith Haring died in Nyc on February 16, 1990, of AIDS-associated complications. He was 31 years old. His artwork is still demonstrated world-wide, and a number of his works are possessed by esteemed museums, for example, Art Institute of Chicago, the Museum of Modern Art in Nyc along with the Centre Georges Pompidou in Paris, France. Haring’s artwork, using its deceptively simple fashion and its deeper themes of love, death, war and societal harmony, continues to appeal powerfully to audience.