|Full name||Mary Isabel Catherine Bernadette O'Brien|
|Know as||Dusty Springfield, Springfield, Dusty|
|Birth place||West Hampstead, North London, England, United Kingdom|
|Lived||59 years, 10 month, 16 days|
|Work||"Son of a Preacher Man"|
|Occupation||Singer, arranger, musician, record producer, television presenter|
|Height||5' 3" (1.6 m)|
Mary Isabel Catherine Bernadette O'Brien sourcesimdb.com/name/nm0819778
Mary Isabel Catherine Bernadette O'Brien Biography:
Dusty Springfield made her way to the center of 1960s swinging London using the British trio The Springfields. Her solo hits include “You Do Not Have to Say You Love Me” (1966) and “Son of a Preacher Man” (1969). Following a spell with drugs and booze, she saw her career resurrected with the 1987 Pet Shop Boys song “What Have I Done to Deserve This?” as well as the soundtrack to the 1988 movie Scandal. Her love of music came early. In a young age she teamed up with her elderly brother Dion, singing with him in their parents’ garage. They enjoyed to record their cooperation and from the late 1950s had began performing together in front of live crowds.
In the early 1960s, after briefly joining a cabaret act called the Lana Sisters, Mary reunited along with her brother to form a fresh group, The Springfields. Dion had began working with a different vocalist, Tim Field, and inspired by his last name, the trio took on the name, The Springfields. Additionally, the sibs adopted stage names for themselves.
The group’s fashion, folksy using the type of poppy sound that would later drive Beatlemania, reach at only the proper time. The Springfields recorded several Top Five British hits, including “Island of Dreams” (1962) and “Say I Will Not Be There” (1963). In late 1963, The Springfields disbanded, enabling Dusty to start a fruitful solo career. During the following half decade Springfield was a regular on the pop charts.
Between 1965 and 1968 Springfield churned out numerous hits, including “Some of Your Lovin’,” “Little by Little,” and the tremendously successful “You Don’t Have To Say You Love Me.” The pinnacle of her success came in 1968 with her record Dusty in Memphis, where the vocalist, who had long adored vocalists like Mavis Staples and Aretha Franklin, worked with renowned music producer Jerry Wexler, the guy behind records by Franklin and Ray Charles.
“I was greatly affected by black singers in the early 1960s,” she once said. “I enjoyed everybody at Motown and all the Stax musicians. I truly wished to be Mavis Staples. What they shared in common was some sort of strength I did not hear on English radio.” Dusty in Memphis was a tremendous success. Anchored by among Springfield’s biggest hits, “Son of a Preacher Man,” it rose to No. 10 on the U.S. charts. In 1994 that tune received another round of popularity when it became one among the featured tunes in the Quentin Tarantino film Pulp Fiction.
Springfield’s career following Dusty in Memphis proved inconsistent. Long fascinated by America and a small Civil War geek, she moved to America in 1970. But her life just took on more fights in her new house. Beset by drug dilemmas as well as other personal difficulties, Springfield neglected to gain the run of stardom she had once loved.
She did continue to record, and there were some isolated moments of succeeding. A couple of years after, she again earned some radio airplay with all the tune “Nothing Has Been Prove” for the film Scandal. The exact same year, she was identified as having cancer. However, her closing years introduced a renewed fascination with her work and profession. A couple of years later, Rhino Records released a special version of Dusty in Memphis.