Fincher found controversy with Fight Club, but the movie went on to enormous fad success. Known for his picture-driven and generally black pictures, Fincher is among the very creative and scrupulous directors working today. Fincher developed a love for movie at an early age and began making films after finding a Super 8 camera for his 8th birthday. His dad was a writer and his mom proved to be a mental health nurse.
David and his buddies saw as George Lucas filmed American Graffiti (1973) in the region, and Fincher even lived several doors down in the famous director. After high school, Fincher worked for Korty Pictures where he worked about the animated movie Twice Upon a Time (1983). Fincher finally moved on to making advertisements, earning a reputation for his edgy work. Don also helped found Propaganda Films in the mid-1980s.
The sci fi action film proved to be a private and professional disappointment. Starring Sigourney Weaver, the movie was the third episode of the successful show, but the job was experiencing difficulties before Fincher even signed on as manager. Fincher told Entertainment Weekly in 1997 that he learned from your encounter, “never to shoot a film with no script, as well as the more income you’ve got the more trouble you are prone to run into.”
After Alien, Fincher continued directing music videos and making advertisements. The exceptionally atmospheric, noir-styled movie netted more than $100 million in the box office, giving Fincher his first significant hit.
The reception for his follow up effort, The Game (1997), was more tepid. This action thriller starred Michael Douglas as an ultra-rich businessman who receives an unusual present from his brother (Sean Penn)—an experience with no clear rules orchestrated by a mystical business. The experience, however, rapidly becomes a struggle for survival.
Not one to play it safe, David Fincher delved into dark and depraved terrain with Fight Club (1999). Edward loses his mundane life after assembly anarchist and soap maker Tyler Durden (Brad Pitt), and these two characters begin directing their aggression through bare-fisted, one on one conflicts at their fight club parties. The nightclub spawns more clubs and evolves into an underground movement that attempts to generate mayhem by destroying the offices of credit card firms.
Variety described Fight Club as an “inventive, sustained adrenaline rush of a film.” While the film garnered some favorable reviews, in addition, it brought fervent responses from some other critics. Some rebuked the movie’s political leanings while others objected to what they considered was a glorification of violence. Roger Ebert, for instance, wrote that Fight Club was “happily fascist,” “a party of violence,” and “butch pornography.” Fincher was somewhat bewildered by the outcries, telling Entertainment Weekly that “I have always believed folks would believe the movie was amusing. It is designed to be satire. A dark comedy.”
Fincher’s following movie, Panic Room, premiered in 2002. The thriller starred Jodie Foster as a mom wanting to guard her daughter, played by Kristen Stewart, and herself from some of burglars who break in their nyc residence. Understood to be a stickler for precision, Fincher found the 100-day shoot for the movie quite challenging. Fincher and the whole cast and crew worked in just one place for your job.
Turning into a true-life story, Fincher next directed Zodiac (2007), named for the ill-famed California serial killer. The movie centered on the individuals who chased the killer and the way this investigation altered their lives. Growing up in the region where the murders took place, Fincher described the Zodiac killer as “the greatest bogeyman.” The movie was filled with powerful performances by Robert Downey Jr., Mark Ruffalo and Jake Gyllenhaal. It received largely favorable reviews.
Fincher next handled a more fanciful job—one that many considered overly hard to bring to the big screen. The Curious Case of Benjamin Button (2008) is according to a story by F. Scott Fitzgerald about a guy who ages in reverse, starting out as a 70-year old infant. A master of technique and movie technology, Fincher could really make the character’s life journey believable on screen. The movie, starring Brad Pitt as Benjamin Button and Cate Blanchett as his love interest, is usually called a love story. Nevertheless, Fincher described it as “a film about passing.”
Whether a love story or a catastrophe, The Curious Case of Benjamin Button has caught the imagination of critics and movie goers alike. The picture also brought Fincher his first Academy Award nomination for the best Director. In total, The Interesting Case of Benjamin Buttongarnered 13 award nominations, including best picture and best actor honours, winning three for art direction, make-up and visual effects.
2014 found the launch of another important novel version from Fincher—the dramaGone Girl, starring Ben Affleck and Rosamund Pike. The movie has made more than $330 million dollars globally and Fincher continues to be nominated for a Best Director Golden Globe.
In his movies, Fincher uses his powerful visual sensitivity to depict uncommon and generally edgy subject matter. His planned effect, as he’s described it, would be to make crowds “feel uneasy.” In his view, “Amusement must come hand in hand with a little medicine. Many people visit the pictures to be reminded that everything’s fine. Fincher do not make those types of films.”