Bob Fosse – Yet, behind the scenes, he was a tortured, addictive expert who’d a dismal fascination with death.
A trained dancer, Fosse attained success as a choreographer and director of stage and screen musicals. He set records with Tony and Academy Awards won for his work, including Pippin, Cabaret and Chicago. Fosse took an early fascination with dancing, showing uncommon ability. His parents supported his interest, registering him in proper dance training. By his early teens, Fosse was dancing professionally in local clubs. It was here that he was first exposed to the topics of vaudeville and burlesque performance. He was still in boot camp when the war came to a conclusion. After meeting his military necessity, Fosse settled in NYC and continued to pursue dancing. He married and divorced twice while fighting to build his profession.
The initial couple of parts that Fosse landed were as portion of a Broadway chorus. In 1953 he appeared briefly in the MGM film musical Kiss Me Kate (1953). Fosse choreographed the 1954 show, Pajama Game, that has been directed by George Abbott. Fosse’s signature style, which incorporated intricate moves and vision drawn from vaudeville, was immediately popular. His next musical, Damn Yankees, was another smash. Fosse invented a working relationship with top dancer Gwen Verdon that will span his career. Both wed in 1960 and had a daughter, Nicole.
Extremely successful by 1960, Fosse still faced resistance from director and producers who considered his content was overly suggestive. He chose to take on the function of director along with choreographer so that you can keep up the integrity of his artistic vision in Hollywood along with on Broadway. His following musicals contained Sweet Charity, Cabaret and Pippin. Fosse won Tony Awards for direction and choreography because of his work on Pippin: His Life and Times (1981). He also won an Emmy because of his theatrical production of the television variety show Liza using a Z (1972).
Fosse composed three added stage musicals before his departure. He survived a heart attack, suffered during rehearsals for Chicago, to compose and choreograph the autobiographical movie All That Jazz. His later productions are not as successful as earlier work. Big Deal, Fosse’s last musical, was especially badly received. Fosse is still among the very distinctive and powerful choreographers ever, recalled through Broadway revivals and screenings of his work.